The First Half Assassination Nation is Great ; Second Half Not So Much

How did I end up seeing “Assassination Nation,” a low-budget indie film with a distinct lack of advertising? It was the most
interesting sounding movie that Movie Pass would allow my brother and I to go see. It’s about four popular high school girls in Salem (one of them a trannie) who are leading hyper-sexualized, promiscuous lives when suddenly a hacker rocks Salem by gradually making every member of town’s internet information available to everyone in town, one by one.

First the mayor is exposed publicly as a trannie, for instance, which causes him to publicly commit suicide. Then, the likable black principal of Salem High has possibly questionable pictures of his very young daughter made public, which causes the town to (unfairly) turn against him. What starts as a raucous dark comedy akin to “Heathers” becomes the “Super-Purge” as the entire town becomes violent and turns on each other and (more importantly) our four protagonists. In order to survive, the four girls have to turn hyper-aware and hyper-violent as no man in the town can be trusted (and no women either really).

This movie has a liberal, hyper-feminist and subversive message that I really can’t get behind; men and women in general are not as evil and judgmental as in this film. However, it is true that hysteria over the internet and people turning on each other is destroying our society, and so people need to calm down and look at the whole person. I am recommending this film because it is funny, violent, self-aware, subversive, rather unpredictable, and genuinely interesting. I do not agree with most of what writer-director Sam Levinson is saying with this film, but I do applaud the manner in which he says it. “Assassination Nation” is a surprisingly interesting film that deserves much better than it got at the box office. I would definitely recommend seeing it if you get the chance.